The soft green landscapes studded with little trees and occasionally hillocks and rocky ridges derive from Shahjahani landscapes (cf. Losty and Roy 2012, fig.63, also the seated prince) but are akin to the sort of landscapes that are found in Mughal imperial painting in the reigns of Bahadur Shah (1705-12) and Farrukhsiyyar (1713-19). This second campaign continues until f. 216.
Jahan E Danish.pdfl
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When Jahandar Shah and his beloved queen die, they are carried on biers to their final resting place, but the text mentions only the one son. The final double-page painting shows an obvious debt to Shahjahani painting in having three sons riding in procession surrounded by their noblemen. 2ff7e9595c
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